In the studio Minnie worked with pianist Black Bob, drummer Fred Williams and other instrumentalists, from the occasional trumpeter to lap-steel and mandolin. Joe Louis Strut . A full-length biography, “Woman With Guitar: Memphis Minnie’s Blues” by Paul and Beth Garon was published by DaCapo press in 1998 with a 2nd edition in 2014. Yet she remains comparatively unknown and under-studied in relation to her influence and importance to the development of blues music and guitar playing. Big Bill Broonzy recalls her beating both him and Tampa Red in a guitar contest and claims she was the best woman guitarist he had ever heard. To buy Minnie’s original recordings check Arhoolie, and Document . In terms of her influence on the development of blues, she was an important player in the Chicago clubs during the ’40s when musicians like Muddy Waters, Jimmy Rodgers and Johnny Shines, were coming up. They returned to Memphis where Minnie’s sister Daisy took care of them. In 1939 she married Ernest “Little Son Joe” Lawlars, a Memphis based guitarist who was her partner for the next 23 years. 1 the Complete post-war Recordings in Chronological Order. Have fun! View Memphis Minnie song lyrics by popularity along with songs featured in, albums, videos and song meanings. Genres: Country Blues, Acoustic Chicago Blues, Blues. The back-up parts are as interesting as the melody parts, especially on tunes like “When the Levee Breaks”, recorded in 1929, in Spanish tuning capoed to Bb (the third fret) or “Crazy Crying Blues” from 1931, also in Spanish, capoed to C# (the sixth fret). She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and " Me and My Chauffeur Blues ". The original dates back to 1929, and Minnie’s first-ever recording session. Watch this for some tips: Associating with circus and vaudeville performers must have been a step up for a street musician, and probably helped Minnie make her music more of an act. CD : $23 ... MEMPHIS MINNIE › See all 36 albums by Memphis Minnie. Memphis Minnie originally did Soo Cow Soo, Moonshine, Can't Afford to Lose My Man, Pig Meat on the Line and other songs. Queen Of The Blues. Although Memphis Minnie is gone, her music is still full of life, and her influence can be heard in the music of the many Chicago blues players who came up during her reign in the thirties and forties. In 1907 a blues musician played in all kinds of places: house parties, barrel houses, work camps, traveling shows. Anywhere you hear canned music now would probably have had a live musician–well, maybe not elevators. Memphis Minnie covered Bumble Bee and When the Sun Goes Down - Part 2. The Songs. Composers: Kansas Joe McCoy - Memphis Minnie McCoy. Memphis Minnie's songs: Listen to songs by Memphis Minnie on Myspace, Stream Free Online Music by Memphis Minnie They mixed blues with pop tunes, her favorite cover being “What Makes You Do Me Like You Do Do Do”. Memphis Minnie wrote Hoodoo Lady, When the Levee Breaks and Joliet Bound. Minnie’s arrival in Chicago precipitated a showdown with the reigning King, Big Bill Broonzy.1. are repertoire perennials.  By 1929, Douglas had married another guitar-player, Joe McCoy, who was a good singer and guitarist, but reputedly a jealous fellow. Memphis Minnie was born on this date in 1897. She got her first guitar at age ten or 11. For guitar players, the first part of her career is definitely the most inspiring, as her inventive variations make masterpieces of tunes like “When The Levee Breaks”(1930) or “Let’s Go To Town”(1931). She recorded around 200 songs, some of the best known being "Bumble Bee", "Nothing in Rambling", and "Me and My Chauffeur Blues". The poet Langston Hughes was overwhelmed by Minnie’s “rolling mill” sounds. Apparently people in Chicago, who had never actually seen her play, were skeptical–so far no women instrumentalists had become prominent on the tough country blues circuit, although some (like guitarist Mattie Delaney), made a brief, tantalizing appearance, then disappeared. She was always a finger picker, and played in Spanish (DGDGBD) and standard tunings, often using a capo. Record companies are remarkably mono-thematic about marketing, and Minnie, like many other blues musicians, played jazz and swing tunes as well, although there are only hints of this in her 200 recorded sides. Tough enough to endure in a hard business, she earned the respect of her peers with her solid musicianship and recorded good blues over four decades for Columbia, Vocalion, Bluebird, OKeh, Regal, Checker, and JOB. They were playing together in a Beale street barbershop when a scout from Columbia offered to record them in New York. Memphis Minnie's last commercial release, and a good one. As Broonzy tells the story, in his autobiography Big Bill Blues, (Cassell and Co.London 1956) a jury of fellow musicians awarded Minnie the prize of a bottle of whiskey and a bottle of gin for her performance of “Chauffeur Blues” and “Looking the World Over”. Although Son’s playing has an impelling pulse and solidness their instrumental interplay is less intricate than what Minnie and Kansas Joe recorded. The silly yet haunting “Bumble Bee Blues” became the popular song from that session– so popular that Minnie recorded several different versions of it for different labels. The major labels pulled out of the blues market, and Minnie’s last recordings were for Regal in 1949. In our society, what is deemed important is often what has commercial value, and that is precisely what pushes blues off the front porch and onto 78s. She lived a long life, was at her best in middle age, and would spit tobacco wearing a chiffon ball gown. Minnie’s voice is rarely heard, even today: it is the voice of an independent, childless woman, an artist who never puts up with abuse, and who managed to find pleasure while living through tough times. Two of the judges, John Estes and Richard Jones hoisted the victorious Minnie on their shoulders while Kansas Joe remarked sourly “Put her down. Her recordings with Son Joe are in duet style, with piano, bass or drums added on some sessions. The companies began to seek out and record other singers in the same vaudevillian genre. Even though sales of their recordings slowed down by the end of the forties, their audience remained available to them in the clubs. 03:07 Composers: M. McCoy. African, European and Indigenous traditions had begun to coalesce into the blues in the South much earlier than the ’20s, but our perception of history is usually based on recorded history: what gets recorded, written about and incorporated into our accepted common memory. In 1957 Minnie had an incapacitating heart attack, and Son Joe became too ill to perform. CD: $32.41 MP3: $9.49. Elizabeth “Kid” Douglas, known as Memphis Minnie was an intricate guitarist, an astute songwriter and a stylistic innovator. loud) sound. As a child, she was called Kid Douglas and she learned how to play the guitar and banjo. Get all the lyrics to songs by Memphis Minnie and join the Genius community of music scholars to learn the meaning behind the lyrics. In guitarist Willie Moore’s recollection, (reported in Stephen Calt and Gayle Dean Wardlow’s King of the Delta Blues; The Life and Music of Charlie Patton, 1988 Rock Chapel Press) Minnie was the better guitarist, —“She was a guitar king”—-he said—- although Brown was better known. She grew up in Walls Mississippi, about 20 miles from Memphis on Route 61, in a time before rural electrification and national media created a mass culture. Play Memphis Minnie hit new songs and download Memphis Minnie MP3 songs and music album online on … She was an African American blues musician and singer. Music (like most things) was still homemade: for entertainment, people threw parties–suppers where roast shoat, custard pies and candy sticks dipped in corn whiskey got worked off dancing the “shoofly”, the “scratch” and the “shimmy-she-wobble.” Minnie started playing banjo when she was seven years old, and was influenced by the string bands which played for dancers who partied all night and hit the fields at dawn. Their marriage and musical partnership fell apart in the mid-thirties, around the same time Minnie became increasingly featured as a guitarist, vocalist and songwriter. One photo of the two has Minnie in an florid, drop-waisted day dress, with straightened flapper hair, looking distinctly unsteady on her feet as she grabs hold of a grim-faced Joe’s padded shoulder. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. After Son Joe’s death in 1962 Minnie lived in a nursing home until she died on August 6,1973, at the age of 76. She shaped a life very different from the limited possibilities offered to the women of her time. Listen to the Memphis Minnie Vol. Her recordings were reissued by Chris Strachwitz on Blues Classics in the late sixties, and had a profound influence on several young musicians, particularly the late guitarist JoAnn Kelly, and Maria Muldaur who still sings Minnie’s songs today. Their guitar duets span the spectrum of African-American folk and popular music, including spirituals, comic dialogs, and old-time dance pieces, but Memphis Minnie's best work consisted of deep blues like "Moaning the Blues." As a child, she was always a finger picker, and tablet pulse solidness! For Regal in 1949 on some sessions... Memphis Minnie covered Bumble Bee and When the Levee and... Cd: $ 23... 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